Wait, which part was supposed to be ironic?
Gotta love that opening sequence. :D I've always been a little confused by this series, though. First you make fun of anime, then you make fun of some kinda cold-war era propaganda the like of which nobody actually produces anymore, but that part's so badly done, it's almost like you're making fun of newgrounds parodies for being outdated, full of bad info, and culturally irrelevant.
I mean, don't American corporations make a lot of money off of repackaging and marketing those anime shows? Don't we censor, mis-translate, and mutilate most of them until they're a mostly-homogenized post-melting-pot American rendition of the original show? Don't a lot of the OAVs which are big sellers in America tend to come from Japanese studios whose main market and target audience is the U.S.?
It's like the author picked a random point of view that sounded bad and ascribed it to "Capitalism," without any real clear idea of what he was trying to say. It's like a straw man argument of a straw man argument. I'm not defending the vaguely-defined corporate interests the show seems to be arguing against, I'm just trying to figure out why Captain Capitalism seems to favor the interests of a few American corporations over the interests of a few *other* American corporations.
It *feels* like a politically-charged parody, but there's no substance to it. It's basically the artist rubbing two Straw Men together. The stuff said by the title character has no value. I don't mean he's wrong, I mean it is of null value. It's not good or bad, it's just... floog. So it's hard to either agree with or disagree with any of the participants or with the outcome of the show itself.
A good parody makes you feel either outrage or gleeful vindication, depending on whether or not you agree with the thing being mocked. This parody didn't really do that for me, because I can't imagine anyone making those arguments and seriously meaning them. Maybe a time traveller from like 1975, or something. But how would that guy have even heard of anime, and why would modern kids take him seriously?
Why would modern audiences find him funny?
I ask myself that a lot when a new episode of this series comes out.
Or maybe that's the whole point. Maybe it's supposed to be one of those fish-out-of-water cartoons, like Office Spider, or Warbot in Accounting. But since the kids act like he belongs there, it doesn't quite work on that level, either. There's no point of reference... no "normal" point of view to compare the wacky ones against.
Heh. "Dear Captain Capitalism, your show desperately needs a straight man. Love WarpZone." That would go over well.
You can't deny the obvious quality here, I just wish I could follow the writing, because it would be a lot more fun if it were funny. Oooh. A horrifying thought occurs... maybe Brad lives somewhere where people actually make arguments like this and mean them... Is that even possible? Does such a place still exist in America? Hell, these days, even Texas knows better... right?